are you in tune?
are you in tune?
this might surprise a few people
http://timberens.com/essays/tuning.htm
http://timberens.com/essays/tuning.htm
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Hey polyal,
Yes, very interesting material.
Also, do you know what the "Warp Refraction Principle" is?
Most guitar players don't!
It actually pertains to the tuning of the B and G strings...how it
is offset. What's cool about 6 string guitar is that it's tuned in 4ths,
except G & B strings, which are a 3rd apart. I'm sure you know
that though
Also, here's another interesting tuning thing:
The F note, on the 6th string 1st fret can be used to
tune to a dial tone...don't do it though lol!
Oh, one more interesting thing about tuning...sorry if
I'm rambling lol. There used to be a 900 # to call
to get an A440 to tune your guitar. There was a small charge
for the service. Not like today with all the gadgets and things
we can use to tune our guitars.
Maybe I should go check my guitar tuning now!!
Yes, very interesting material.
Also, do you know what the "Warp Refraction Principle" is?
Most guitar players don't!
It actually pertains to the tuning of the B and G strings...how it
is offset. What's cool about 6 string guitar is that it's tuned in 4ths,
except G & B strings, which are a 3rd apart. I'm sure you know
that though
Also, here's another interesting tuning thing:
The F note, on the 6th string 1st fret can be used to
tune to a dial tone...don't do it though lol!
Oh, one more interesting thing about tuning...sorry if
I'm rambling lol. There used to be a 900 # to call
to get an A440 to tune your guitar. There was a small charge
for the service. Not like today with all the gadgets and things
we can use to tune our guitars.
Maybe I should go check my guitar tuning now!!
Last edited by GuitarTutorHelp on Thu Oct 28, 2010 7:47 am, edited 1 time in total.
thanks for the info.. but i'm sticking to convention and a tuner at the moment...ive spent more
time tuning my guitar than i have playing it...you can also tune your G (approx)to any appliance buzzing
on the mains ( UK 50Hz mains ) G=49Hz...i used to have an electric razor which buzzed at 50Hz and used
it as a starting point to tune a new set of strings....that was before tuners though...just after the discovery
of electricity lol (but not to loud)
warp refraction ( why is it called warp refraction? )
[youtube]/watch?v=lfINdsQP6Gg[/youtube]
time tuning my guitar than i have playing it...you can also tune your G (approx)to any appliance buzzing
on the mains ( UK 50Hz mains ) G=49Hz...i used to have an electric razor which buzzed at 50Hz and used
it as a starting point to tune a new set of strings....that was before tuners though...just after the discovery
of electricity lol (but not to loud)
warp refraction ( why is it called warp refraction? )
[youtube]/watch?v=lfINdsQP6Gg[/youtube]
Last edited by polyal on Thu Oct 28, 2010 5:07 pm, edited 1 time in total.
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don't know the exact reason why its called warped refraction principle, but i know it has something to do with physics/science.
James...about the floyd rose, you're definitely right. you could put a block type of thing in the bridge area to keep it from moving (but then no floyd!)
also guys...how about the gibson robot??
James...about the floyd rose, you're definitely right. you could put a block type of thing in the bridge area to keep it from moving (but then no floyd!)
also guys...how about the gibson robot??
i think every git player has used ' warp refraction ' as the very first way to tune a guitar....
now... why aren't all the strings separated by 4ths..wouldn't the theory and general learning
of the instrument be a lot easier for a beginner????...who decided on warp refraction
blimey all the times ive used warped refraction an never new it
this is off the piano tuning site
'A professional tuner will tune the upper octaves increasingly sharp and lower octaves increasingly flat. This is known as stretching the octaves, and produces well temperament, a sound more pleasing to the ear than tuning to pure equal temperament, which would ideally follow a pure mathematical progression'
have you ever noticed the initial attack of a git string is always slightly sharp...esp
the bass strings....so a piano has the same probs!
when im gigging and a bit p♪ssed with fag ash all over my machine heads and a semi naked nympho
wobbling in front of me i must admit warped refractions tend go get pushed to one side
now... why aren't all the strings separated by 4ths..wouldn't the theory and general learning
of the instrument be a lot easier for a beginner????...who decided on warp refraction
blimey all the times ive used warped refraction an never new it
this is off the piano tuning site
'A professional tuner will tune the upper octaves increasingly sharp and lower octaves increasingly flat. This is known as stretching the octaves, and produces well temperament, a sound more pleasing to the ear than tuning to pure equal temperament, which would ideally follow a pure mathematical progression'
have you ever noticed the initial attack of a git string is always slightly sharp...esp
the bass strings....so a piano has the same probs!
when im gigging and a bit p♪ssed with fag ash all over my machine heads and a semi naked nympho
wobbling in front of me i must admit warped refractions tend go get pushed to one side
I loosen looking nuts, set fine tuners to about the middle, tune with pegs which still doesn't get it right. Lock nuts the attempt to fine tune always starting with bottom E.polyal wrote:what procedure do you go through when tuning?jamesd74 wrote:I can never get my guitar perfect the Floyd Rose trem bridge just wont tune right, apparently it is well known for this.
Imagine if the words of Imagine ever came true.....
the procedure sounds about right...when you say ' still doesn't get it right ' what do you mean?
is your intonation and action set correctly?
are you using a good tuning device ie boss etc
dont forget as you tune each string it will pull the floyd forward ( if tuning higher )so flattening the other strings ( pitch wise ) so repeat the process with each fine tuner in turn..this might take 3 or 4 passes
clean the bridge pivots and add a drop of light oil
is your intonation and action set correctly?
are you using a good tuning device ie boss etc
dont forget as you tune each string it will pull the floyd forward ( if tuning higher )so flattening the other strings ( pitch wise ) so repeat the process with each fine tuner in turn..this might take 3 or 4 passes
clean the bridge pivots and add a drop of light oil
Last edited by polyal on Mon Nov 01, 2010 11:57 am, edited 1 time in total.
at the point where the bridge sits on the 2 posts ( the fulcrum of the bridge rocking action )
if you move the whammy bar you want the bridge to return to its original pos...this is prob a bit
overkill but it wont hurt
if you move the whammy bar you want the bridge to return to its original pos...this is prob a bit
overkill but it wont hurt
could you explain what you meanpolyal wrote:when you say ' still doesn't get it right ' what do you mean?
is your intonation and action set correctly?
are you using a good tuning device ie boss etc
clean the bridge pivots and add a drop of light oilpolyal wrote:at the point where the bridge sits on the 2 posts ( the fulcrum of the bridge rocking action )
if you move the whammy bar you want the bridge to return to its original pos...this is prob a bit
overkill but it wont hurtcould you explain what you meanpolyal wrote:when you say ' still doesn't get it right ' what do you mean?
is your intonation and action set correctly?
are you using a good tuning device ie boss etc
Imagine if the words of Imagine ever came true.....
the bridge is resting on them ...one by the 1st saddle...and one by the sixth saddle...
an allen screw assy ...it also adjusts the height of the floyd
i would still like to know what
guitar should be able to be tuned initially.... ie each open string tuned to the correct pitch
an allen screw assy ...it also adjusts the height of the floyd
i would still like to know what
refers to..because anyjamesd74 wrote:just wont tune right
guitar should be able to be tuned initially.... ie each open string tuned to the correct pitch
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The way I turn a guitar turns heads. I havent seen anyone else do it. I'll use the following to illustrate.
<> - Natural Harmonic (i.e. <> 6,12 means play the Natural Harmonic at 6th string 12th fret)
X,Y where X is string and Y is the fret (i.e. 2,1 means 2nd string, 1st fret)
---> means "compare pitch to, and tune that string to match the <>".
Here we go!
<>6,12 ---> 5,7
<>6,12 ---> 4,2
<>5,12 ---> 4,7
<>5,12 ---> 3,2
<>4,12 ---> 3,7
<>4,12 ---> 2,3
<>3,12 ---> 2,8
<>3,12 ---> 1,3
<>2,12 ---> 1,7
This puts it in very close temperament tuning with itself, especially if your reasonably sure your E is good.
Instructor
<> - Natural Harmonic (i.e. <> 6,12 means play the Natural Harmonic at 6th string 12th fret)
X,Y where X is string and Y is the fret (i.e. 2,1 means 2nd string, 1st fret)
---> means "compare pitch to, and tune that string to match the <>".
Here we go!
<>6,12 ---> 5,7
<>6,12 ---> 4,2
<>5,12 ---> 4,7
<>5,12 ---> 3,2
<>4,12 ---> 3,7
<>4,12 ---> 2,3
<>3,12 ---> 2,8
<>3,12 ---> 1,3
<>2,12 ---> 1,7
This puts it in very close temperament tuning with itself, especially if your reasonably sure your E is good.
Instructor
Last edited by Instructor on Wed Dec 01, 2010 1:03 am, edited 1 time in total.
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I'll give you an example. Basically you are matching the fretted notes to the natural Harmonic.
So I'd pluck and let ring the 12th fret natural harmonic....
then I'd fret the 7th fret of the 5th string and play it, it's also an E, and with the Harmonic ringing, it would be tuned to match as a perfect unison with the Harmonic. Then I'd do the same thing, and this time Pluck the 12th fret Harmonic, but go fret the 4th string 2nd fret, which is *also* E, and tune that to match the 12th fret harmonic.
Thus
<>6,12 ---> 5,7
<>6,12 ---> 4,2
Does that help explain it better? Like I said I know no one else that does this, its just one of the things I worked out years ago, and have used it ever since. I don't know where I came up with it, as most things I come up with. I like to think of it as "tripping over something that was there all along".
About 10 years ago I published it as a white paper over the internet but I dont know what if any exposure that actually had.
Instructor
So I'd pluck and let ring the 12th fret natural harmonic....
then I'd fret the 7th fret of the 5th string and play it, it's also an E, and with the Harmonic ringing, it would be tuned to match as a perfect unison with the Harmonic. Then I'd do the same thing, and this time Pluck the 12th fret Harmonic, but go fret the 4th string 2nd fret, which is *also* E, and tune that to match the 12th fret harmonic.
Thus
<>6,12 ---> 5,7
<>6,12 ---> 4,2
Does that help explain it better? Like I said I know no one else that does this, its just one of the things I worked out years ago, and have used it ever since. I don't know where I came up with it, as most things I come up with. I like to think of it as "tripping over something that was there all along".
About 10 years ago I published it as a white paper over the internet but I dont know what if any exposure that actually had.
Instructor