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You can try everything you want if you ask me, music is about sound, not about rules (theory).  Indeed following theory will make sound good and in key, but i think it is easier if you see it like this: Your music, your ideas, your rules, if it pleases you go for it .

HAHA, i remember i got so angry one time that i couldn't play barre chords that i started to literally cry.  The solution is practice practice practice and in time you will make it. 

You should also devote some time to building left hand finger strenght: things such as scales or legato is very useful.

You can also check out my site if you are new to this, but same as olly said it is good to start with an acoustic.

My first guitar teacher had a saying: Every good bass player plays guitar very good. Start your basics with an acoustic because it is going to be very useful for you.

I personally had a period in my life where i started playing bass and as i studied and practice i came to the conclusion that the guitar offers you much more possibilities of expressing yourself and switched to guitar again.

Everything depends on what you feel and what do you put your attention on when listening a song.

Troy's books are awesome.

I use Fretboard mastery a lot. I like the way it covers ear training. It is very productive and well organized. Th only issue is that it takes a lot of practice and you have to let the information seek in. But i is worth the price. I recommend that book to everyone is very good.  I like that it teaches you to use your voice when practicing ear training. Ear master pro doesn't do that, although it is good to practice with it too.

Another book of Troy that is used and still practice is Speed Mechanics For Lead Guitar. It focuses on different rhythm patterns, left and right hand exercises and has some amount of ear training. It is good for learning different guitar techniques.

The style if a guitarist can also be influenced by his or hers character and influence the way they look on stage .

It also depends on what difference are you talking about

No. I am on a break now in which i focus in the site, improving on guitar and school .

I know what i means to be uninspired and think that you have no talent to right quality songs (at least that was what i was thinking ).

First of all think of song writing as a process, as a skill you have to practice in order to be good at it. It is like riding a bicycle: you fall a few times until you can ride it effortlessly.

Another important factor in my opinion is Ear training. I played metal for most of my guitar career and i came to the conclusion that it helped me technically very much, but i neglected my Ear training and the song writing phrasing frustrations started kicking in on my so i decided to start practicing it. After only 2 or 3 weeks i remember that my phrasing and ability to solo over backing tracks improved very much.

How much do you work on your ear training ?

i usually focus on teaching him the notes on the fretboard.

The note values so that i can get hm used to playing with a metronome from start.

And i give him some relaxation exercises so he doesn't get into the habit of playing tensed.

My method is oriented on combining music theory, ear training and guitar technique. A song is a song, but with the theory behind it, you can then learn 1000 songs and composes some of your own.

Of course for the students that have the goal of being able to play their favorite songs and want to learn how to read tabs i have a different approach. 

But i always learn them note values at the first lessons. They are essential. Personally i can't  stand the videos where they count in up and down strumming when it would be easier to say that those are 8th notes and so on.

At least that is my opinion

i used to suffer of the flying fingers syndrome ).  I thought it was cool to raise my fingers as much as i can when i used my fret hand.  Latter i found out that this mean lower speed, weaker technique and in order to play fast you must keep your fingers as close to the fretboard as you can.

there are many scales. First you have to focus on pentatonics, major, minor and the modes. After you choose to learn a scale, you have to stick to it for a while, so that you can play it many variations so that you expand your fretboard visualization, and you are able to experiment with different things.

I started with the modes, so now i try to experiment with the pentatonic a lot. The scale sounds pretty cool and i want to learn it inside out like i did with the modes.