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Creating Separation in Rock Music Mixes

Posted: Mon Mar 23, 2026 9:42 am
by sam54
I've noticed this topic has a fair few different "answers" - and whilst a lot may come down to style/artistic licence - I'm curious to see how other folks are doing it in relation to rock music.

Wrongly or rightly, I've always amateurishly stuck to two principles: a mental 3x3 grid in my mind, L+C+R and Low Mids Highs - and try to only have one element in each.

But for the style of rock I've been making, a LOT of the time I'm finding many elements feeling like I want them in a similar place.

So sure, learnt about and using a LOT of Sidechain EQ/Compression to duck elements (vocals over guitars, kick over bass) but I never truly feel like a get true clarity. I've had some paid engineers critique my work and say they like it, and I've had some say I have very "busy" mixes.

So. How do you do it in say a setup of:

Drums

2 guitars

Vocals

Backing vocals

Bass

Synth and/or pads and/or other instruments ?

and can anyone demonstrate the different techniques and how they open up the mixes?

Creating Separation in Rock Music Mixes

Posted: Mon Mar 23, 2026 7:21 pm
by MetalPlayer
The biggest part of the mix is in the writing. Don’t be afraid to drop some instruments for different sections. Do a few bars of just drums and vocals or something. A well written song mixes itself. If the parts are written to be stacked and muddy, not amount of mixing will clear it up. Tho, if stacked and muddy is the vibe, go for it. There are no wrong moves. It is all about having a vision and executing it.