Creating Separation in Rock Music Mixes
Posted: Mon Mar 23, 2026 9:42 am
I've noticed this topic has a fair few different "answers" - and whilst a lot may come down to style/artistic licence - I'm curious to see how other folks are doing it in relation to rock music.
Wrongly or rightly, I've always amateurishly stuck to two principles: a mental 3x3 grid in my mind, L+C+R and Low Mids Highs - and try to only have one element in each.
But for the style of rock I've been making, a LOT of the time I'm finding many elements feeling like I want them in a similar place.
So sure, learnt about and using a LOT of Sidechain EQ/Compression to duck elements (vocals over guitars, kick over bass) but I never truly feel like a get true clarity. I've had some paid engineers critique my work and say they like it, and I've had some say I have very "busy" mixes.
So. How do you do it in say a setup of:
Drums
2 guitars
Vocals
Backing vocals
Bass
Synth and/or pads and/or other instruments ?
and can anyone demonstrate the different techniques and how they open up the mixes?
Wrongly or rightly, I've always amateurishly stuck to two principles: a mental 3x3 grid in my mind, L+C+R and Low Mids Highs - and try to only have one element in each.
But for the style of rock I've been making, a LOT of the time I'm finding many elements feeling like I want them in a similar place.
So sure, learnt about and using a LOT of Sidechain EQ/Compression to duck elements (vocals over guitars, kick over bass) but I never truly feel like a get true clarity. I've had some paid engineers critique my work and say they like it, and I've had some say I have very "busy" mixes.
So. How do you do it in say a setup of:
Drums
2 guitars
Vocals
Backing vocals
Bass
Synth and/or pads and/or other instruments ?
and can anyone demonstrate the different techniques and how they open up the mixes?