How to Tackle Feedback Issues on Stage?
- Andysounds91
- Posts: 12
- Joined: Wed Mar 25, 2026 9:05 am
How to Tackle Feedback Issues on Stage?
Hey everyone, I'm having a bit of a nightmare with feedback during my live gigs. I play in a small band, and the last few shows have been plagued with it, especially when I'm near the amp or the mic. I know some of it can be due to mic placement, but I'm not entirely sure what the best practices are. Should I be adjusting my amp settings or trying something different with my pedals? I'm really keen to avoid that awful squeal, and I'd love to hear what techniques you all use to manage feedback effectively. Any tips would be appreciated!
How to Tackle Feedback Issues on Stage?
Hey Andy, feedback can be a real pain! You're right about mic placement; keeping it a bit further away from your amp usually helps. Also, try to angle the mic so it's not directly facing the amp. And as for your amp settings, reducing the gain slightly can sometimes make a difference without sacrificing your tone.
How to Tackle Feedback Issues on Stage?
I completely agree with Dan on mic placement. Another thing to consider is using an EQ pedal to cut some of the frequencies that are prone to feedback. It might take a bit of trial and error, but finding those sweet spots can really enhance your live sound and keep those squeals at bay.
- Robguitaruk
- Guitar hero
- Posts: 63
- Joined: Tue Feb 10, 2026 8:30 am
How to Tackle Feedback Issues on Stage?
I've had my fair share of feedback too, especially when I was starting out. One trick that worked for me was using a noise gate. It really helps to eliminate unwanted sounds when you're not playing. Just make sure you set it up properly so it doesn't cut off your notes!
- Leeacoustic81
- Guitar hero
- Posts: 59
- Joined: Tue Feb 10, 2026 8:31 am
How to Tackle Feedback Issues on Stage?
Feedback issues can be tricky! I remember once at a small gig, I had my guitar too close to the mic and it started howling mid-song – proper embarrassing! On the acoustic side, I find that playing with a soundhole cover helps a lot to control feedback. Might be worth looking into if you're using any acoustic elements in your set.