It’s all about finding your groove. Don’t stress too much about hand size; it’ll adapt over time. Remember, tone is in the fingers as much as the gear. Keep playing, and you’ll develop your own sound that feels right to you.

For me, jazz is all about the feel. Don't just learn the notes; feel the music. Try to capture the emotion behind the phrases. Listen for the dynamics and how the musicians interact. Once you start to internalize that, your improvisation will naturally become more expressive and melodic.

I totally get that frustration—you want to express yourself, not just regurgitate lessons. Try focusing on improvisation to help find your voice. When you’re playing along with a track, just let loose and don’t worry about hitting every note perfectly. Feel the music and see where it takes you; that ...

You know, when I listen to Hendrix or Knopfler, it's all about the emotion behind the notes. Sure, they might know some theory, but what really matters is how they make you feel. Hendrix had this way of bending notes that just cuts right through you. It's like he was using theory without even ...

I totally get where you're coming from! That initial pain is just part of the journey to finding your tone. Embrace it! As your fingers toughen up, you’ll not only be able to play longer but also develop a unique feel. Focus on the music and let that passion guide you through the discomfort.

I think it's all about getting that feel down. You can practice those chords as much as you want, but if you're not feeling them, it won't matter. Spend time playing along with some blues tracks, and really listen to how those chords fit into the music. Let your emotions guide your practice; if you ...

When you're starting out, it's all about finding that connection with your instrument. A good tutorial might not just teach you the mechanics but also help you feel the music. Look for videos that emphasize playing styles and the emotional aspect of strumming versus plucking. The vibe of the music ...

Absolutely! Sometimes it’s the emotion that resonates the most. A simple chord structure can convey deep feelings, and that’s what makes a song timeless. It’s all about the vibe and how it hits you, not just the complexity of the chords.

Using outside notes is all about feel. They should enhance the emotion of your solo, not overshadow it. Try sliding into those notes or using them as passing tones to create tension before resolving back to the core chords. It's about expressing yourself, not just hitting the right notes.

Exactly! Tone is everything in blues. It's not just about hitting the right pitch; it’s how you express it. A note on a Les Paul sounds different than on a Strat, thanks to the sustain and warmth from the wood. It’s all about the feel and emotion behind each note.

Buzzing can really kill the vibe of a chord, especially when you're going for that smooth blues tone. It’s all about feel, man. Make sure your wrist is relaxed and your fingers are coming down at the right angle. You might want to think about how you want the chord to resonate. It’s not just about ...

I’d say the tonal depth in Drop C# can really add emotion to your playing. It’s darker and more resonant, which can enhance the groove and feel, especially in blues.

Sure, he learned from his dad, but it was more than just theory. The real magic is in how he felt the music. That emotional connection is what sets great musicians apart. I mean, anyone can learn the notes, but not everyone can capture that soulful essence that Mozart had. It’s all about the tone ...

I hear you! The palm muting adds that gritty feel, but make sure to focus on the dynamics. It’s not just about the notes but how you express them. Let your playing breathe.

Mix it up with some other exercises. Learn some chords and strumming patterns. Record yourself doing the finger exercise today, mistakes and all, then record yourself again in a month and compare.

Guitar is all about feel. Ten months can get you some decent chops, but truly capturing tone takes years. Focus on expressing yourself rather than just hitting the right notes; that’s how you really ‘get good’.

Borrowing chords is a fantastic way to add depth! Just be careful not to lose the emotional core of your progression. The G chord can add a nice tension, but make sure it feels right in the overall vibe of your song. It's all about the feel, mate.

I feel like the emotional weight behind using an A major in C major is what really matters. It adds a certain tension that resolves beautifully if you handle it right. The vibe changes dramatically, and that’s what makes blues and rock so compelling.

Pantera (90’s era albums) has good solos with pinch harmonics—look for their ballads like “Sleep” or “Floods”. Has a southern rock infused metal sound. Testament is old school thrash with solid writing and melodic+shreddy solos. “Alone in the Dark” and “Trial by Fire” are what got me into them. I ...

If you're into blues, check out Stevie Ray Vaughan's "Texas Flood." He uses chromatic mediants to add some tension and drama to his solos.

There is a limit to how much you can brute force memorize. If you know music theory well, you start to see constant patterns in chord progressions and riffs, and you can bust those out when they fit whatever song you may need.

Lessons in audiation might be helpful to you. It could help you connect with music on a deeper level.

Nothing about learning guitar is fast. Trust me though when I say you will get better. Guitar takes time and patience. Not unusual at all to take months and months to get good at chords and transitions. Stick it out you will be glad you did.

Constantly and it gets very irritating. A lot of the time I end up singing the song or tune too although, if it's original (or I think it is) I'll record it. Pros and cons I suppose?

Being aware of everyone’s part and how it lines up with your own. And then actively listening to the other sections or instruments while playing. If you’re using sheet music, study the score.